Genuin FS 1 MK 3
Harmonische Konstruktion und einen eigenen Blumenhofer luftgetrockneten 38 cm Tieftöner.
Spezifikationen
• 2-Wege Lautsprecher
Gehäuse
• Zum Boden gerichtete Bass Reflex Abstimmung
• Harmonische Konstruktion
Komponenten
• 1,4” Kompressionstreiber mit Titanmembran
• 16” luftgetrocknete Papier-Tieftöner
• Sehr starker AlNiCo Magnet
• Vergoldete Tellurium Kupfer Anschlüsse
Eigenschaften
• 2-stufige Hochtonpegelabsenkung in 1dB-Schritten
• Bi-wiring- / Bi-amping - Anschlüsse
• Schaltbare Impedanz-Linearisierung
• Flache Impedanzkurve
• Röhrenfreundlich
• 5 Jahre Garantie
Technische Daten
Genuin FS 1 MK 3 | Genuin FS 2 MK 2 | Genuin FS 3 MK 2 | ||
---|---|---|---|---|
MaterialMaterialMateriale | Birch plywoodBirke MultiplexMultistrato di betulla | Birch plywoodBirke MultiplexMultistrato di betulla | Birch plywoodBirke MultiplexMultistrato di betulla | |
ThicknessMaterialdickeSpessore | 18mm / 0,75" | 18mm / 0,75" | 18mm / 0,75" | |
Internal BracingVerstrebungIrrigidimento | Structural bracing interactionStrukturelle interaktionInterazione strutturale | Structural bracing interactionStrukturelle interaktionInterazione strutturale | Structural bracing interactionStrukturelle interaktionInterazione strutturale | |
Cross over chamberKammer für FrequenzweicheVolume separato per filtro | No | No | No | |
Frequency rangeFrequenzgangRisposta in frequenza | 35Hz - 20kHz ± 2dB | 36Hz - 20kHz ± 2dB | 40Hz - 20kHz ± 2dB | |
Bass CabinetBass GehäuseCabinet dei bassi | Harmonic Bass Reflex | Harmonic Bass Reflex | Harmonic Bass Reflex | |
PortingBass ReflexCanale | FloorZum BodenA pavimento | FloorZum BodenA pavimento | FloorZum BodenA pavimento | |
WooferTiefmitteltönerWoofer | 380mm / 16" | 300mm / 12" | 250mm / 10" | |
MaterialMaterialMateriale | air-dried PaperLuftgetrochnetes PapierCarta asciugata in aria | PaperPapierCarta | Paper P2F® SandwichPapier P2F® SandwichCarta Sandwich P2F® | |
MagnetMagnetMagnete | AlNiCo | AlNiCo | Ferrit | |
Cross over frequencyÜbergangsfrequenzFrequenza di taglio | 850 Hz | 1150 Hz | 1200 Hz | |
MidhighMittelhochtönerMedioalti | Compression driverKompressionstreiberDriver a compressione | Compression driverKompressionstreiberDriver a compressione | Compression driverKompressionstreiberDriver a compressione | |
Horn ThroatHornDiametro tromba | 1,4" | 1,4" | 1" | |
Membrane dimensionsMembranendimensionDimensione Membrana | 75mm / 3" | 75mm / 3" | 44mm / 1,75" | |
MaterialMaterialMateriale | TitaniumTitanTitanio | TitaniumTitanTitanio | Mylar | |
Max power inputBelastbarkeitPotenza massima (RMS) | 150 W RMS | 150 W RMS | 150 W RMS | |
EfficiencyWirkungsgradEfficienza | 96 dB | 94 dB | 92 dB | |
ImpedanceImpedanzImpedenza | 8 Ohm | 8 Ohm | 8 Ohm | |
Impedance linearizationImpedanzlinearisierungLinearizzazione d'impedenza | YesJaSi | YesJaSi | YesJaSi | |
TerminalAnschlussfeldTerminali | Bi-Amping | Bi-Amping | Bi-Amping | |
MaterialMaterialMateriale | Gold plated tellurium copperVergoldetes tellurium KupferRame tellurio placcato oro | Gold plated tellurium copperVergoldetes tellurium KupferRame tellurio placcato oro | Gold plated tellurium copperVergoldetes tellurium KupferRame tellurio placcato oro | |
FeetsFüßePiedi | Adjustable SpykesRegelbare SpykesSpykes regolabili | Adjustable SpykesRegelbare SpykesSpykes regolabili | Adjustable SpykesRegelbare SpykesSpykes regolabili | |
DimensionsMaßenDimensioni | 1160 x 450 x 620 mm 45,75 x 17,75 x 24,35 in | 1112 x 332 x 455 mm 43,75 x 13 x 18 in | 990 x 300 x 355 mm 39 x 11,75 x 14 in | |
WeightGewichtPeso | 60 kg | 45 kg | 25 kg | |
Packaging dimensionsVerpackungsmaßenDimensioni imballate | 130 x 60 x 38 cm | 120 x 45 x 40 | ||
Loudspeakers per cartonLautsprecher per KartonPezzi pro cartone | 1 | 1 | 1 | |
Packaging weightVerpackungsgewichtPeso imballate | 70 kg | 55 kg | 30 kg | |
Center LoudspeakersCenter LautsprecherDiffusori centrali: | Genuin CS 2 - Twin | Genuin CS 2 - Twin | Center 25 | |
Center 25 | Center 25 | Center 20 | ||
Center 20 | Center 17 |
Anmerkung:
Holz ist ein Naturprodukt und kann durch Herkunft, Wuchs, Dichte und Lagerung unterschiedliche Farbtöne, Maserungen und Strukturen aufweisen. Unterschiede in
Farbgebung und Struktur sind daher kein Reklamationsgrund. Änderungen an Holzarten und Oberflächen behalten wir uns vor.
Neuheiten um die Genuin FS 1
Milano HiFi presentation of the Genuin FS 1 MK 2
Saturday, Apr 22 2017, %RGenuin FS 1, Genuin FS 3, HiFi Show, Italy
Our Milan dealer, Enea Spinelli from Spinelli HiFi, participated to the Milano Hi-Fidelity show this year. An event from the Sound of the Valve by Stefano Zaini, this event presents HiFi in Milano since more than 16 years.
It has been an amazing weekend with some very good music and food. I enjoyed the chance as well to test some of the music for the Munich High End.
No big news in the setup but for the new racks of Solidsteel and feet of Omicron. Nothing very mind blowing, but a lot of small things to increase the level of the presentation.
Octave and Marantz electronics, Transrotor and Rega sources, Cammino cabling and power treatment. Blumenhofer loudspeakers.
If You wich to see more pictures You can enjoy them here.
Il Galà di Spinelli - Milano
Saturday, Dec 3 2016, %REvent, Genuin FS 1, Genuin FS 3, Italy, Tempesta 17, Tempesta 20
After the big success of the Gran Galà dell'Alta Fedeltà in Milano, Spinelli, our local dealer, invited his customers to listen to the system of the show.
The setups were 3 and the loudspeakers playing were 4. All Cammino Cabling, all Octave amplification. Really amazing systems, all really enjoyable.
We spent the day talking with people and listening to music. That was good… meanwhile, our children were amazingly playing: everyone had his fun!!
If You are curious about the setup, You can get the information from the pictures here
Gran Galà dell'alta Fedeltà di Milano
Sunday, Nov 20 2016, %RGenuin FS 1, HiFi Show, Italy, Tempesta 17
Our Milan dealer Spinelli in cooperation with Cammino decided to participate to an event of Giulio Cesare Ricci: they exposed at the Gran Galà dell'Alta Fedeltà in Milano.
The choice was to keep the costs of the whole system at a relatively reasonable target. Well, they went up to about 50.000€. But compared with other systems playing in other rooms, they plaid with a bargain system.
The aim was to have a music performing system, not an HiFi system tuned to be audiophile, but a system to play music. Any kind of music or recording, old or new, or whatever.
The system:
- Turntable: Transrotor Rossini with Cammino phono reference cable
- Cartridge: Benz H2o (15 years old)
- Phono Preamp: Octave Eq 2
- CD Player: Rega Isis Valve reference
- Preamp: Octave HP 500 SE
- Power Amp: Octave RE 290
- Loudspeakers: Genuin FS 1 MK 2
- Cabling: of course Cammino trough and trough
- Power Treatment: Cammino H 3.1 and MA-1A
- Acoustics Treatment: Astri
The room was always full with enthusiastic people.
Giulio Cesare Ricci performed his presentation of his Foné products in this room at fixed time slots. He has some master tapes as well and that was an amazing experience for Claudio and Enea and both of them were looking forward for it. The master tapes were played on an Ampex ATR 102, 2 tracks, 1/2 inch tape, 76cm/sec. Useless to mention the very positive and amazing comments Claudio, Enea and Giulio Cesare himself reported to me…
Vinyl was a little bit less than the Master tapes, but anyway was really high quality.
The public… lost the feeling of being in a reproduction event, Claudio and Giulio Cesare pumped up the volume to reach live concert level on the Master Tape of Vasco Rossi's Toffee (and I remember the wonderful feeling at the show in Lanciano). The song, is a song that is in the heart of all fans of Vasco Rossi and all Italians. All of them were singing with Vasco's tapes. (Bollicine, Vado al Massimo, C'è chi dice no, Va bene, va bene così, Cosa succede in città: to know more about the Vasco's LPs or SACDs directly on Foné' web pages)
Petra Magoni, of Musica Nuda, attended the event as well because it was the Foné presentation of their last LP, Little Wonder (here more info about it). She jumped on the chair when she discovered how much information was present on the tapes and could be reproduced by our system. She did not want to believe it and recognized some particular sound flaws of the Contrabass of Ferruccio Spinetti.
Should You be curious about some pictures… scroll down on this page here